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HOME OF THE
PARANORMAL & UNEXPLAINED
 UFO INVESTIGATIONS
ANCIENT DISCOVERIES
Ancient Astronauts
Flaming Shields,
Chariots of the Gods Flying Saucers, Spacesuits, Delta Wing
Jets and Ray Guns
depicted on everything from cave walls
to ancient Egyptian temples all surviving eyewitness accounts
of UFO sightings in our most ancient past.
Reports of
unidentified flying objects appear even in our most ancient
historical records.
For anyone looking at the most ancient
primitive cave drawings and petraglyphs it seems impossible
now to take them for anything other than technology.
Could
travelers from outer space have visited this planet long ago?
Could our ancestors have settled this planet as space
colonists?
Will our neighbors reveal themselves, when we
are ready?
Carved in
Stone
 The ancient world occasionally speaks to us of
strange things that the primitive people of the time
attributed to The Gods. From the Nazca Lines of Peru to
ancient aircraft of Egypt and India known as Vimanas; from the
enigmatic and symbolic petraglyphs of Ancient America to the
pantheons of European and Mediterranean gods; nearly every
ancient culture, on every continent yet explored it seems that
every civilization in the world was at one time or another
touched by beings from above.
As
mankind evolves and advances in technology, we are now
becoming somewhat familiar with many of the things that
obviously impressed our ancestors. We know that we are not
gods, but what would ancient peoples think of most of the
things we take for granted today? Would your ability to read
evoke jealousy from their most revered scholars? Would a
disposable lighter or ball point pen get you burned as a
witch? And what would they make of your palm pilot or for that
matter, a harmonica?
The two figures
depicted in rock-art at Val Comonica, in Northern Italy (above
right) easily appear to modern observers to be a literal and
accurate representation of modern astronauts. Their bulky
suits come complete with space helmets, and each are holding
decives of some sort; one of their tools even looking
remarkably like a sextant. This particular site is a perfect
example, and is featured in the groundbreaking 1968 book
Chariots of the Gods, by Erich Von Daniken - but is only one
of so many found throughout Europe, Asia, Africa and the
Americas; all associating the Gods with the stars, and other
things which we modern humans today file under the same
heading: space technology. Could this primitive depiction of a
space helmet have been a primitive precursor to what we modern
humans know as haloes? Could all of the world's religions all
have a root in these ancient gods who came down from the sky?
For millennia, the
absolute authority on the beginning of everything was the
Bible specifically, the book of Genesis, which tells us the
order in which creation began to express itself: first
minerals, then plants, then animals. This is something that
the ancient scribes simply could not have known, if we are to
remember them as truly primitive - tribal hunter gatherers,
barely farmers technologically barren, possessing little
more than fire and the ability to write stuff down. Perhaps
God emparted this simple itinerary to His chosen scribes, but
one of the first things to pop into existence is said to have
been Light itself which seems to also ring very true, as it
turns out, according to modern quantum physics, we're all made
of stardust. The only question remaining is, of course, from
which particular star's dust have we been thus assembled?
Modern
fundamentalists have retranslated the biblical "light" as, or
into, "the word" or "truth" often meaning "the existence" or
"the reality" of God. This also follows advanced scientific
theories that the prime foundation of existence (time, matter,
and the very fabric of dimension) are fractal, and vibrations:
made up of infinite combinations of (put very simply)
something and nothing as in binary code, a sequence of ones
and zeros. A parallel can also be drawn from New Age
philosophies, which often contend that all is illusion. For
all our fumblings, we have advanced, and perhaps evolved, to
the unenviable point where we now know that there is very much
that we do not know and there is a great deal that we will
likely never be able to fathom, but we can still dream and
imagine and we are at least able to measure our perception of
what we perceive to be time and space. So far, among other
things, we have measured the size of the Earth and distance
between Earth and the Sun - very specific values and ratios
that are found in multiple archaelogical sites around the
world, where also emanate legends of gods who came down from
the sky,
Gods of the
Sky
The famous Helicopter
Hieroglyph found in the Temple of Abydos, in Egypt, is another
prime example of highly advanced technology represented in
ancient art. Abydos was originally owned and operated by
ancient Egyptian kings - first by Seti I, then Ramesses II
(around 1200 BC). Inside, the ceiling support beams of one
chamber contain many inscriptions, a certain famous four of
which have stunned paranormal researchers, taken the
"faithful" by storm, and seem even more out of place. At first
glance, these ancient Egyptian heiroglyphs appear to depict
aerial technology namely (amazingly), a helicopter, a
submarine, a UFO and a WWII style airplane. On second glance
however, it seems painfully obvious that the image must have
been faked, as they show show a more bronze color than the
native sandstone but this is actually a simple image
enhancement technique (not trick), used to show more contrast
in the relief. The dark gold coloring of the highly circulated
internet image may also be an artifact of original scanning,
depending on the source (as from a magazine or video
screenshot). The image has been altered again here (below, top
image) to more closely approach the coloring of the actual
sandstone.
The famous Egyptian
heiroglyphs in Abydos, Egypt seem to show a helicopter (top,
left of center) plus 3 other cartouche depictions of seemingly
high technological items (right of center, from top) that
appear to be a tank or submarine (top), a UFO (middle) and
what looks like an airplane (bottom).
This ancient
anomaly often attains the height of internet scandal, because
the carvings are authentic. While officially attributed to a
palimpsest, the resemblance to modern technology cannot be
discounted.
The first thing
that grabs anyone who beholds this ancient stony text is the
first glyph's uncanny resemblance to a modern military
helicopter like the Apache, Jayhawk and Blackhawk (below)
carved meters in the air, near the ceiling of one of the most
important temples of ancient Egypt. That it should be
immediately accompanied by glyphs resembling other examples of
modern aerial technology - all facing in the same direction,
to the right should be more than enough to completely rule out
coincidence as an explanation.
Modern military
helicopters ~ top row: Apache and Jayhawk ~ bottom row:
Blackhawk
The glyph immediately
to the right of the helicopter has been compared to a tank, a
submarine, a small boat or cabin cruiser and even appears to
some as Luke Skywalker's landspeeder, from the first Star Wars
movie. Directly below that curiosity is what most consider
indisputably to be a classic UFO - but given the
non-symmetrical shape and added tail fin, eyes are widened to
the possibility of an aircraft only slightly more advanced
than we have today (perhaps something still on the drawing
boards, not yet given to public knowledge, as of this
writing). The profile is roundish, yet also shows what are
possibly wings, resembling a NASA prototype for proposed space
taxis, (expected to be in operation by the middle of the 21st
century) or Commander Criton's shuttle pod, from Farscape, the
popular science fiction TV show. One almost expects, if such a
craft ever existed, that it was armed with phasers. The fourth
icon, below the alleged UFO, seems at once to be a World War
II vintage airplane, complete with high tail and bubble
cockpit albeit without wings, or perhaps what the artist was
depicting was partially submerged, in water or
sand.
 
Wooden airplane
model in the Egyptian Museum, Cairo. For many years, this
model stood directly behind the main entrance in a glass case.
In the meantime it disappeared in the cellar. Were
uncomfortable questions placed?
Some speculate that
this is Philidelphia Experiment Bermuda Triangle citing
evidence of paranormal events involving time travel, lending
further support to theories of what may be the cause of
certain documented temporal and magentic anomalies experienced
in the Bermuda Triangle. Could the airplane symbol be one of
the famous Flight 19 that disappeared from the Bermuda
Triangle in 1947?
While officially attributed to a
palimpsest: a scratching out (or an ancient typo), "the result
of a recutting" it cannot be completely ruled out that the
original carvings were actualy of some witnessed aerial
technology.
While modern
Egyptologists identify the heiroglyphs' message as telling us
of a suppression of "the ennead of nine" and "foreign
countries" (these cartouches superimposed over each other), it
cannot be ruled out that the might have been the original
inspiration for the design. It seems a beyond chance that a
character should exactly match the profiles of the tails of an
airplane and helicopter. What kind of king would be identified
with such objects? And what kind of king would have them
erased?
Mainstream Egyptologists
classify the anomaly as a palimpsest: or a typo, "the result
of a recutting" offering the simple explanation, "the original
signs were covered in plaster, and new ones cut into the
surface," and continuing further, "this plaster has now fallen
out, leaving images that look rather like modern
items!"
While there certainly is
significant crumbling and water damage around the ceiling and
support columns (and this sort of editing of history is known
to have periodically occurred with shifts of power) however, a
significantly complex response does not necessarilly ammount
to a full explanation.
To more liberal researchers, this
may seem like a blatant cover-up, or at best a lame explantion
reminiscent of the
Face on Mars being attributed to "a trick of light and shadow"
by NASA officials.
but this does not completely
rule out the possibility that the original heiros were
accurate
or that the "accepted" cartouche may have evolved
from the obvious visualization.
Official explanations limit the scope of
debunking to the helicopter ignoring the other figures to the
right (of the alleged submarine, UFO and airplane
 
The Palenque Astronaut (left) appears to depict
a man controlling a spaceship
This ornately decorated five
ton stone was discovered in 1952 in Chiapas, Mexico
covering the Tomb of the Mayan King Pacal, at the Temple
of Palenque (relief below)
the only known Mayan Pyramid to
conatin a Tomb, as is the case throughout
Egypt)
The famous Palenque Astronaut appears to depict
a man controlling a spaceship
~THE
ASTRONAUT OF THE TEMPLE OF PALENQUE~
This is the stone found
covering the tomb of King Pacal inside the Temple of Palenque.
The stone interpretation is part of today's controversies
surrounding the Mayan empire. Is this the drawing of
?
In the year 1952, the
Mexican archeologist Alberto Ruz discovered the tomb of King
Pacal inside the Temple of Inscriptions of Palenque in
Chiapas, Mexico. This region was once protected by a number of
logs placed in a defensive and fortified way around the
temples of Palenque. At the entrance of the temple there were
a total of 620 inscriptions near the tomb of King Pacal who,
according to the symbols, was born in Palenque, started ruling
over the Mayan empire when he was 12 years old and remained in
power for a total of 65 years before his death at the age of
80.
One of the curiosities
is that the Temple of Pacal is the only pyramid in the new
world where a crypt was found, defining the pyramid as a
burial place just like the ancient Egyptians. The tomb weight
reached the 20 tons and it was build better than the entrance
stone that was removed before the findings, which make
archeologist believes that the temple was constructed after
the crypt was put in place. One of the most important aspects
of the crypt was the cover stone. It weighted 5 tons and it
have an inscription on top that, according to the first
archeologist who studied, show the representation of the
decent of King Pacal to the underworld and the Mayan believe
of the three worlds: the heavens or world above, the world of
the living and the world of the dead. Other archeologist
interpreted the hieroglyphics as describing the presence of
the monster from the deeps of the earth, the Mayan sacred tree
and the hairs of the god of rain, but it was the third
interpretation and the study of the remains that caused one of
the greatest controversies on the world of archeology. What it
appeared to be to others… The controversy of the findings came
years after the discovery when another group that studied the
stone interpreted the hieroglyphics as what it appears to be
some kind of propulsion machinery and a Mayan operating at the
controls.
From this theory and
descriptions came the given name of "The Astronaut of
Palenque". Also, and to add to the controversy, the results of
the scientific research from the studies of the remains shows
that the body is not from one of the Mayan descendants or is
even close to the age described in the inscriptions. The body
is more of like a full ground man of big stature and not
similar at all to any of the Mayan body characteristics of any
age. The remains appeared to be of a 40 to 50 year old man and
not of an 80 year old Mayan, matching the legends of the one
of the Mayan gods "Votan", a white man of long stature and
beard who came from "the other side", as it is described by
the legend. Apart from the inscriptions at the head stone of
the crypt, there were other stones and inscriptions found in
the Mayan city that showed similarities to, what it looks to
some at first instance, as some type of human in front of
controls while inside a capsule or enclosure. In reality,
there are more mysteries than answers surrounding the Mayan
empire. They are the only civilization of the new world that
vanished with very little evidence of what really happened to
them or what was the cause of their disappearance. Some of
today's archeologists are having conflicting theories
explaining the disappearance of the Mayan people or
understanding the Mayan number system or hieroglyphics without
returning with different interpretations.
The Theories There are
many people today who believe that the drawings on the stone
are in fact the representation of some kind of ship with the
operator inside and that the body found is non other than the
pilot itself. Others believe that the remains belong to a
European that, somehow, reached the new world before the
Spanish colonist discovered America. They also believe that
the drawings are misinterpreted when called "The Astronaut".
Others, looking for explanations, go as far as including in
their theories the ancient legend of "Erik the Red", who in
the other side of the sea from the American continent, went in
search of the earthly paradise toward "Wotan" or "Odin" which
was in the same direction toward the Americas. Other group
jumps to the conclusion to believe that the Mayan people were
victims of a planetary ascension or abduction, therefore
explaining how they acquired the knowledge of the advance
architecture, astronomy and numeric system that the empire
possessed. The only current facts is that there are many books
with theories regarding the Mayan empire and each lacks
concrete evidence explaining the disappearance of these people
or who is the tall man found in the tomb of King Pacal.
As of now, the
archeologist's discoveries on the Mayan Temples keep raising
more questions than answers and keep adding wood to the fire
of controversy. Temple of Palenque Mexico The Remains of King
Pacal 7 Another stone found in Palenque. What it appear to
some as a man inside a capsule in front a console. 8 Mayan
Cualdron. From where the Maya got a design that resembles one
of today's propulsion engines
 
Extraterrestrial Images on the Step Pyramid
Saqqara, Egypt and close-up (right)
Also in Egypt - where the star clock for the
Precession of the Equinoxes exists
there is an electric
light bulb that dates to 2600 BC. An electric battery was
discovered in a rock carbon dated approximately 500,000 years
ago
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